Art Writing & Criticism
Is Making Art a Way of Telling People to Go Away Forever?, Hyperallergic
Rogue, Hero, Icon: On Paul Newman’s Taste for Literary Adaptations, Literary Hub
Lynne Tillman Explores How Her Mother Was Transformed By Aging and Illness, Hyperallergic
Spending Time in Joy Williams’s Celestial Waiting Rooms, Literary Hub
The Eyes Go Out: The Photographs of Alan Kleinberg, The Broadcast
Working Together: the Photographers of the Kamoinge Workshop, The Art Newspaper
Posts from the Edge, Urban Omnibus
Isaac Julien’s Political Memory, Hyperallergic
When You Can’t Go Home Again: Immigrants and Artists Reflect, Hyperallergic
Torkwase Dyson’s “1919: Black Water”, Art in America
From the Bathtub to the Streets: On Gail Scott’s “Heroine” Los Angeles Review of Books
Zoë Buckman’s Embroidered Texts Have the First-Person Immediacy of Internet Speech, Hyperallergic
The White Readymade and the Black Mediterranean, Los Angles Review of Books
Materialism on the Moon: A VR Voyage at the Museum of Natural History, Art in America
Janet Biggs: Overview Effect, The Brooklyn Rail
A Curator’s Perspective on Davide Sorrenti’s Fashion Photography, Hyperallergic
The Drowned World: Selections from the Dash Snow Archive, The Brooklyn Rail
Room of One’s Own: Donna Dennis and Downtown’s Vanishing Lofts, Art in America
Sarah Cameron Sunde’s Immersive Performances, Hyperallergic
Trevor Paglen: Orbital Reflector, frieze
Tamar Ettun: Jubilation Inflation, The Brooklyn Rail
Frank Bowling: Make It New, The Brooklyn Rail
Richard Serra: Tilted Arc, The Brooklyn Rail
The Genius and the Nobody: Lynne Tillman's Men and Apparitions, The Rumpus
Projects 108: Gauri Gill, The Brooklyn Rail
Who Killed the Gorgon?, Animal Shelter, Semiotext(e)
Adrian Piper: A Synthesis of Intuitions, 1965-2016, The Brooklyn Rail
Material Witness Witness Material, The Brooklyn Rail
Ellen Harvey: Nostalgia, The Brooklyn Rail
Club 57: Film, Performance, and Art in the East Village, 1978-1983, The Brooklyn Rail
Duncan Hannah: Adrift in the 21st Century, The Brooklyn Rail
Anger Management, The Brooklyn Rail
Jo Spence: Memory Cards, The Brooklyn Rail
Works on Water, The Brooklyn Rail
Following Sophie Calle, Hyperallergic
Ritual Images: The Autobiographs of Ira Lippke, Image
Interviews
Lize Mogel: Walking the Watershed, Urban Omibus
Everything is Objectification: An Interview with Pippa Garner, X-TRA Contemporary Art Quarterly
An Interview with Lynne Tillman, Hyperallergic
Chris Kraus: After Kathy Acker, Guernica
Lauren Greenfield: Generation Wealth, Guernica
Souvenirs from the Wasteland: An Interview with Alastair John Gordon, Image
The Brooklyn Museum’s Elizabeth Sackler on Mass Incarceration and the Role of Activist Art, Hyperallergic
Surveillance Revisited: An Interview with Charlotte Cotton, Guernica
Fiction
Bill Withers in Love, Fence
Initial Reemployment Services and Eligibility Assessment, Electric Literature’s The Commuter
I’ll Let You Go, Fence
Nothing Personal, Fence
A Story About Lydia Davis, Catapult
Taboo, Parcel
By Half, Parcel
Asking for It, The Atlas Review
The Same, Differently, The Atlas Review
The Happiest, Vol. 1 Brooklyn
Other Lover, Fence
The World With, Juked
A Beauty, Forklift, Ohio
Freak, Two Serious Ladies
Whether the Kingdom, NANO Fiction
Rooms Like These Have No Doors, Alaska Quarterly Review
She Dreams of Her Piano at the Bottom of the Bay, Underwater New York
The Sisters of Our Lady of Perpetual Help, Image
Personal Essay
The River Rises to Meet You, Guernica